Study task 2: Abstract Pictorgrams
Objective symbols or subjective things
Objective symbols or subjective things
Pictograms – universal, removes language, communicating just with image, no cultural specific
Developmental photographs, dynamic poses that summarise something subjective
Subjective words
Erco’s system for the Olympics
Numeric games grid system
Mexican Olympic grid system 1968
Simplified imagery – colour and form basic level
Fragmented/cut up
Column grip
One letter manipulated, repeated
Amin Hofman
Printing, stamp, scan, invert - Neubau Berlin
Study Task 3:
Using black lettering to redesign hospital signs
- Design a set of pictograms and a signage systems for a
hospital that uses blackletter
typefaces and calligraphic flourishes as its
foundation
- The aesthetic of blackletter must inform the design of these
pictograms
- They must be distinctively contemporary and should avoid visual clichés and historical pastiche
- Wayfinding systems tend to be aesthetically aligned to
notions of clarity and conciseness, with san-serif typeface usually used next to wayfinding symbols when type is necessary
- The reduction and purity within these designs are understood as ideals
in a modernist system – simplest form, thus by replacing we are able to question the system as a whole
- Sticking with original sign but changing the aesthetic –
completely opposite – would never be used but why
- VOLK – the people / nation
Used in Nazi Germany
- Fractkur
- 1941 Juddenettern – the Jewish letter
- Sharp, Straight Angular lines – high degree of breaking
lines that don’t connect, especially in curved letters – parts don’t meet
- David Rudnick
- Eric Hu
- Eric Hu
Characteristics:
- Compression – tall and narrow
- Sharp and ornamental finials (the terminal of the letter
that tapers / tapered ends) often a swash or ornamental flourish – extended serif
etc
- Biting – when a letter with a bowl is followed by another
(de/ po) they overlap and the letters are joined by the same straight line
- High contrast between stoke widths
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