I had the idea to incorporate the sink collages, using them on newsprint for the inside sleeve of the record design. This has an interesting link, as it relates to the message of the song presenting the figures, as well as drawing parallels between the cover being a sink print, and this also being a print of a sink. The collage aesthetic links to the grundy aesthetic of the punk era, which advocated hands on, out there, art pieces with strong anti-establishment messages.
God Save The Queen - using the crown of the Queen in the pistols original single cover, with a sinking trump (fascist tangerine) wearing it instead this time
Killing In The Name Of - a pool of blood, almost as if a waterfall coming from the gun, with the hand of a black person, mocking the white supremacy fist which symbolises the movement and white power
Masters of War - essentially depicting the mess of Trumps wall, and his stance on hard power and the consequences of his role as commander and chief.
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