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The company's branding |
Depop is where the world's creatives come to buy, sell and discover the most inspiring and unique things.
by Sarah Butler
The fast-growing social media app combines
Instagram-style image creation with digital market bargaining. Caitlin Young is one of millions of teenagers and 20-somethings
who are shaking up the fashion industry by digging out their parents’
cast-offs, raiding charity shops and scanning boot sales to build mini
businesses online.
Young
picks up 1990s and “Y2K” early 2000s “vintage” gear from charity shops and
jumble sales and then styles or customises them for her 22,500 followers
on Depop,
a fast-growing social media app which combines the image creation of Instagram
with a digital version of market trader bargaining.
“People
in my family say, ‘You sell used shoes?,’ like they are so disgusted, but
everyone I know buys vintage. It’s what people do now,” says Young. “It pays
for my life,” adds the animation student, who sells up to £2,000-worth of
secondhand clothing a month online.
Young
and other online clothing sellers are shrugging off the trends shovelled out by
mainstream brands and high street chains and making thousands of pounds by
trading vintage trainers, fluorescent hoodies and high-waisted jeans their
parents wore to raves in the 1990s and early 2000s.
Founded
in 2011, Depop now has 10m users, most of whom are in the UK, and takes more
than £300m ($400m) a year in sales, a figure that has doubled year on year. Its
British shoppers, 80% of whom are aged 13 to 24, buy an average of 20,000 items
a day. It reckons that hundreds of its top sellers make more than £150,000 a
year selling online.
Depop
has caught on to a trend in which secondhand is no longer second best, trading in a more social way than the more established eBay and Gumtree.
The online fashion specialist Asos’s marketplace section includes vintage
boutiques, while British startup Student High Street holds sellers’ events at
universities.
A study
in the US by Thredup suggested there was a 25% rise in the number of women
prepared to buy secondhand in 2017 compared with the year before. It predicted
15% annual growth in the market over the next few years. compared with just 2%
for the overall fashion sales.
Thredup
estimates that secondhand clothes now make up 6% of respondents’ wardrobes,
double that of 10 years ago, and that proportion could almost double again to
11% by 2027. “It’s
almost a dark market,” says Lorna Hall, the head of insight at the trend
forecasting firm WGSN. “Money is coming out of the mainstream market because of
this way of shopping, particularly in Generation Z [under 25s].”
“People
love that you can easily search for people selling on Depop who are close to
you, pick up your purchase and avoid postage costs,” she says.
Beckerman
told Artefact magazine his initial goal was to aim for “young designers and
cool collectors … but we discovered this world of girls who want to sell their
whole wardrobe and I didn’t imagine there would be such a need for that. Ebay
is complicated, long and, if you want to sell something for £5, it just doesn’t
work. So having Depop as a social marketplace with chat is better and all the
girls love it”.
CONTEXT:
The
2008 recession sparked a change in attitude that has been embraced by young
people who want to be fashionable but are concerned about the environmental
impact of throwing away clothes after only a few wears.
“We are
living in an age of DIY and the rise of being able to create your own
platform,” says Depop seller Thidarat Kaha, who sells about £6,000 of clothes a
month to her 44,000 followers. “The mainstream market used to be just buying
something from Topshop, and someone else would have that same dress.
“The
magic of this product is it is usually one on one. No one else is going to get
anything else exactly the same as what you just purchased. And young people are
more conscious about the future of the planet. Recycling and buying vintage
clothing is contributing to to consuming clothes in a better way.”
Depop
is aiming to tap into that change in mentality to quadruple the size of the
business in the next three or four years. In
total, $40m has now been ploughed into the company by investors betting on that
future, including Octopus Ventures, the company that backed Graze and Gym Box
and Creandum, that backed Spotify and the payment tech firm iZettle.
“We are
so small compared to the overall size of the market, the potential is huge,”
says Maria Raga, Depop’s chief executive. “Depop is about people selling stuff
that is good quality, inspirational and that is down to a lot of creativity.”
Young,
who began by making and selling clothes to friends at school and used to sell
vintage items on eBay before joining Depop as a student,
says she has had such a good response to her customised clothes that she is now
considering launching her own clothing brand. “I started it to keep me going
while I’m studying, but I just love it,” she says.
(Article 2)
(Article 2)
How Depop went from niche app to making secondhand clothing
cool
Fashion is cyclical. Younger generations are embracing
vintage fashion and environmentally friendly clothes - in a new way
By SANJANA VARGHESE
Selling stuff online isn’t new. But for teens and young people, eBay, Gumtree and Craigslist are outdated.
Instead, Generation Instagram has discovered Depop – half
social network, half shopping platform, which lets users upload pictures of
stuff they own, to sell directly to others. Depop now has 11 million users –
three quarters of them are under 25. And if you’ve got a popular store or are
featured on the explore page that’s curated by Depop staff, the platform can
turn into a steady source of income.
Founded in 2011, Depop was one of the first apps that
brought buyers and sellers together directly. Depop now has offices in London,
Los Angeles, New York and Milan, counts US models Dita Von Teese and Emily
Ratajkowski among its users, and has collaborated with the likes of Nike and
Converse.
But how did a niche clothing app evolve into a bona fide
social network? “In 2011, there weren’t any apps where you could buy and sell
things like that,” explains Simon Beckerman, Depop’s co-founder and head of
design. “I tried to implement all of the things which this new generation had
with other products, so it was like Instagram with a buy button.
"Young people, who used their phones a lot and are used
to social networks, found that it was easy to use. We also wanted to create a
community around it – so creating new experiences, new trends – through this kind
of discovery feature.”
The company’s emphasis is on users, says CEO Maria Raga.
“Depop is very much a community driven fashion platform". The development
team keeps a close eye on its users, with new features only being rolled out
once many users have asked for them. For example, adding a messaging function
has made it more likely that users will talk to each other if they have a
problem with an item, or want to know how it would fit them if they have a
different body type.
Sellers on the app, who might have started as teenagers
flogging things they used to wear or found in local second-hand stores, are
often now considered influencers, racking up thousands of followers on
Instagram and clothing deals too. Fiona Short, who runs Fifi’s Closet (an
account with more than 161,0000 followers), says Depop is more than about
making money.
“It’s a community of creatives,” she says. “I’ve met some of
my friends through Depop, I’ve been able to support my studies, and travel and
do things I wouldn’t have been able to do otherwise.”
The range is eclectic. Depop lists clothing that was
fashionable 10 years ago, alongside the most recent Supreme drop. Beckerman
says it’s part of the appeal. “On our explore section, we don’t show the things
which we think are trendy, but the things which we think could be.”
Reselling used clothing also speaks strongly to the
popularity of the circular economy; why bin clothing that’s still perfectly
wearable, and that might hit somebody else’s fashion sweet spot? “Young people
are increasingly connected to the circular economy and are looking for more
opportunities to behave in a more sustainable way,” says Isabelle Szmigin,
professor of marketing at Birmingham University.
For Thomas Platenga, CEO of second-hand clothing app Vinted,
it’s a key part of the concept: “If all of us started to consume secondhand
clothing instead of fast fashion, then this problem will be partly solved.”
Depop hardly spends anything on advertising, because it can
rely on “organic growth” that’s driven by word of mouth. That also means that Depop
has to allow its sellers to set some of the direction, like when they come and
host workshops or take photos at Depop’s London office; the company in turn
tries to help its top sellers to grow their own business, with workshops on how
to file their taxes, for examples, or do their accounts.
“Fashion is a really elitist industry,” says Raga. “Allowing
people to just list an item, getting the community to dictate whether it’s cool
or not – that’s what works.”
- Quick profit
- Social
- Sustainable
- TA: 13-25
- Eco-conscious
- Original
- Uniqueness - no-one can just pick it up of a hanger and buy a repeatedly produced item
- Student orientated platform
- 90s & 00s inspired aesthetics are popular
- Vibrant but professional
Top Sellers
Forward:
@oliviacook06 with nearly 50,000 followers and a 90s street
aesthetic, with her own shop which she’s nicknamed WEIRDO.
Celia Hodgson’s Depop store (@celiasells) is quieter and quainter, pulling on the heartstrings of nostalgic fandom. “Handpicked vintage & preloved garms,” says the British 19-year-old. She also cites some brand validation — “top 500 Depop sellers” — meaning hers is ranked among the most visited of the platform’s accounts. Her profile picture? The perma-trendy Kate Moss. “Depop has a very particular, savvy market,” she says. “I’m tapping into the teenage girl who is looking for vintage, uniquely styled clothes that they’re not going to find on the high street. These girls want individuality.”
Curation is key. “One of the things Depop has always advised is to take care of your listings as if they were fashion editorials — or, you know, features in a magazine,” says Founder Beckerman. The most successful merchants, work like art directors, arranging their wares with all manner of styling tricks. “You see everything, from selfies to street style to cool backgrounds and little props.”
The Depop sales lingo is a millennial art. ‘Hit me wiv sum
offaz,’ reads one seller’s biography.
Existing Branding:
There is an obvious existing difference between individuals own brands and them reselling existing clothing. My client should conform with the latter and focus on the eco-conscious and ethically sourced side of the profiles.
The general tone of voice is colourful, loud and playful. It lacks professionalism and is a lot more post-modern / lo-fi / DIY in its outputs. The general vibe is very blog-like and the youthful age group that dominates his platform is certainly translated through the existing top profiles. There is definitely a place in the market for a strong yet colourful logotype, as well as some illustrative and promotional motion graphics and stills to share on the page.
General Visual Aesthetic & Company Identity:
Findings:
- Colourful / vibrant
- Playful TOV
- Personal
- Youthful
- Bold
- Eco & Socially conscious
- Celebrates Creativity
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